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Jean Beaudin (3)
Jean Beaudin
Jean Beaudin entre à l’ONF en 1964. Il y signe un premier long métrage, Stop (1971). Il entame ensuite le tournage de J.A. Martin photographe (1976). Le film remporte deux prix au Festival de Cannes : le Prix du jury œcuménique et le Prix d’interprétation féminine remis à Monique Mercure. Il connaît un très grand succès auprès du public et devient un classique de notre cinéma. Il tourne ensuite deux autres films, Cordélia (1979) et Mario (1984), avant de faire carrière dans le privé, où il signe plusieurs long métrages et séries télévisées. En 2016, il reçoit l’Ordre national du Québec et, l’année suivante, un Prix du Gouverneur général pour les arts du spectacle.
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J.A. Martin PhotographerJean Beaudin 1977 1 h 41 minIn this feature drama, a wife takes the courageous decision to leave her 5 children at home and accompany her husband on his yearly summer tour as an itinerant photographer. This despite housework, routine and 14 years of marriage having created a mutual indifference. They travel through a turn-of-the-century countryside of narrow lanes and old-time weddings, but most importantly, to an eventual rediscovery of each other. -
CordéliaJean Beaudin 1979 1 h 55 minGuilty of loving life! A dramatization of an actual court case in turn-of-the-century Québec. A lively, outgoing woman is accused of murdering her husband in collaboration with the hired hand. The townspeople do not appreciate her robust personality and the proceedings in court degenerate to a judgment of her character. Filled with stunning visual imagery, this feature film captures the spirit of the time and place. Particularly useful for those interested in history, law or women's issues. With English subtitles.
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Games of the XXI OlympiadJean-Claude Labrecque , Jean Beaudin , … 1977 1 h 57 minEdited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.
