This experimental short explores the dual use of film as both mnemonic device and documentary archive. To achieve this, filmmaker Amanda Dawn Christie uses images from home movies that have been damaged, leaving edge code, sprockets, and optical tracks exposed.
This experimental short explores the dual use of film as both mnemonic device and documentary archive. To achieve this, filmmaker Amanda Dawn Christie uses images from home movies that have been damaged, leaving edge code, sprockets, and optical tracks exposed.