Ontario (Ages 18+)

This documentary reveals some of the hidden history of Blacks in Canada. In the 1930s in rural Ontario, a farmer buried the tombstones of a Black cemetery to make way for a potato patch. In the 1980s, descendants of the original settlers, Black and White, came together to restore the cemetery, but there were hidden truths no one wanted to discuss. Deep racial wounds were opened. Scenes of the cemetery excavation, interviews with residents and re-enactments—including one of a baseball game where a broken headstone is used for home plate—add to the film's emotional intensity.

World in a City is a portrait of Toronto and the steps Torontonians are taking to create a society that welcomes and encourages new immigrants to flourish. Join photographer Colin Boyd Shafer as he celebrates diversity in this short film, Canada’s contribution to the Big Cities project, an exciting international collaboration that uses documentary storytelling to outline both the challenges facing growing urban areas and the bold solutions to these ongoing problems.

This documentary portrays the front-line street workers who serve the needy under the umbrella of the Salvation Army. One of the world's largest social agencies, the Army is a religious institution that serves the practical needs of people first, believing that religion is of no use to anyone who is hungry, homeless and hopeless.
Join filmmaker Rosemary House as she peers into the hearts and minds of people on both sides of the street – those who help and those who need help. Shot in Toronto at Christmastime, the film chronicles the small hopes and tiny victories of life lived below the poverty line and the daily rewards for those who work to serve others.

Covering a vast swath of northern Ontario, Treaty No. 9 reflects the often contradictory interpretations of treaties between First Nations and the Crown. To the Canadian government, this treaty represents a surrendering of Indigenous sovereignty, while the descendants of the Cree signatories contend its original purpose to share the land and its resources has been misunderstood and not upheld. Enlightening as it is entertaining, Trick or Treaty? succinctly and powerfully portrays one community’s attempts to enforce their treaty rights and protect their lands, while also revealing the complexities of contemporary treaty agreements. Trick or Treaty? made history as the first film by an Indigenous filmmaker to be part of the Masters section at TIFF when it screened there in 2014.

Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.

Released in 1971, this lyrical short documentary marked the directorial debut of legendary Abenaki director Alanis Obomsawin. Filmed at a residential school in northern Ontario, it is composed entirely of drawings by young Cree children and stories told by the children themselves. Listening has been at the core of Obomsawin’s practice since the very beginning. “Documentary film,” she said in a 2017 interview, “is the one place that our people can speak for themselves. I feel that the documentaries that I’ve been working on have been very valuable for the people, for our people to look at ourselves… and through that be able to make changes that really count for the future of our children to come.”