The Impact and Influence of Black Music (Ages 15-17)

This feature documentary presents a thoughtful and vivid portrait of a community facing imposed relocation. At the centre of the story is a remarkably astute and luminous 12-year-old black girl whose poignant observations about life, the soul, and the power of art give voice to those rarely heard in society. Unarmed Verses is a cinematic rendering of our universal need for self-expression and belonging.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era. Their stories are told against a backdrop of the fascinating social and political history that made Montreal a jazz and nightclub hotspot for decades. It is a story of song and dance, music and pride.

This short documentary profiles the mid-century Toronto jazz scene through the eyes of acclaimed filmmaker Don Owen (Nobody Waved Good-bye). The film features prominent acts from what was then regarded as the third-largest jazz centre in North America, including the Lenny Breau trio, the Don Thompson Quintet and the Alf Jones Quartet. Jazz lovers will relish this inside look at the creativity, hard work, improvisation, and stylization of these talented musicians.

African hip hop pioneer Didier Awadi is on a quest to craft an album that pays tribute to the great black revolutionary leaders and their struggle to realize a dream: a united, independent Africa. In this epic musical and political journey, Awadi visits some 40 countries to collaborate with hip hop activist artists, including Smockey (Burkina Faso), M-1 of Dead Prez (United States) and ZuluBoy (South Africa).

Featuring a score by Ghislain Poirier, as well as Awadi’s own songs, United States of Africa draws the viewer into one artist’s profound meditation on the power of music and the impact of political engagement—both individual and collective. A hopeful and compelling portrait of a continent whose politically aware youth is refusing to accept the role of victim, the film is a call for Africans to rise up, take a stand and take control of their continent and their destiny.